(2) ah, distinctly i remember it was in the bleak december; and each separate dying ember wrought its ghost upon the floor. eagerly i wished the morrow; —vainly i had sought to borrow from my books surcease of sorrow—sorrow for the lost lenore— for the rare and radiant maiden whom the angels name lenore— nameless here for evermore. (5) deep into that darkness peering, long i stood there wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before; but the silence was unbroken, and the stillness gave no token, and the only word there spoken was the whispered word, “lenore? ” this i whispered, and an echo murmured back the word, “lenore! ”— merely this and nothing more. what is the effect of the use of lenore's name in stanzas 2 and 5? a-it creates a hopefulness in the narrator that his love has returned. b-it reminds readers that the narrator has lost his love. c-it creates suspense that the ghost of lenore is haunting the narrator. d-it explains who keeps tapping on the narrator's door.

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.